The dubbing, subtitling and post passes you already pay for, evaluated on an episode you delivered. Your showrunners judge the work, and your finance team the total cost.
Prefer email? hello@azitalabs.com, subject “Workload evaluation: OTT & production house”
Delivering a web series means dubbing, subtitling and post passes for each episode, to the platform's specs and on the platform's schedule. The content-security clauses in your streaming contracts were written before these tools existed, and most of what your post teams use today fails them. So localisation queues behind the locked cut.
An example workflow
A web series needs subtitles and dubbed tracks in several languages for every episode. An evaluation could take one delivered episode, produce the subtitles and a dubbed track, and let the showrunner compare them and the total cost.
An example workflow
Platform deliveries include trailers and cutdowns in many formats. An evaluation could take one delivered trailer set, produce the cutdowns, and compare the edit quality, turnaround and total cost.
An example workflow
Streaming contracts restrict where pre-release episodes can go. An evaluation could run one episode's localisation where the platform's content-security clauses allow, and set the language leads' review next to the total cost.
The evaluation works on an episode you already delivered, and your showrunners and language leads decide whether it passes.
Subtitles and dubbed tracks are checked against the platform's delivery specs and each character's voice, language by language.
Dubbing, subtitling and post work compared as one job, next to what your teams pay for today.
Run your workload on capacity from Azita’s installations. Scope the workload and data requirements.
Discuss your workload on the fleetScope the room and workload together. Azita designs, installs and commissions the deployment.
Discuss an installation in your buildingWhere the work runs, which models are used, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out custody and residency by side.
Agree a representative job and the acceptance criteria. Compare the output, turnaround, data requirements and total cost before deciding.
Available to evaluate on your own workload.
On the Azita fleet, or on an installation in your building.
We'll review what you need to run and contact you to discuss the right setup.
There is no price list. Your proposal states what is being quoted, the commitment and what is included. Human review, software licences and integration are listed wherever they apply.
Add what you pay for today. It travels with your enquiry as a note, so the comparison starts from the same work.
Prefer to read first? How pricing works
That is what the evaluation decides. Your showrunners and language leads review the subtitles, dubbed tracks and cutdowns from one delivered episode against the criteria they set. If the work does not pass, nothing moves.
Bring one episode you already delivered, with its locked cut and script, and what the tools on that job cost today. We agree the acceptance criteria and the turnaround, produce the subtitles, dubbed tracks and cutdowns, and set out the output and total cost side by side.
Very little. Your post teams keep their suites and their delivery process. The passes come back for review before anything goes to the platform.
Where the work runs, who has access and how long anything is kept are agreed in your proposal, clause by clause, before any client work starts. For accounts that require it, the work can run on an installation in your own building. The Trust page sets out custody and residency by side.
Proposal based on your workload and deployment. It states what is being quoted, the commitment and what is included, and lists human review, software licences and integration wherever they apply. There is no price list.
Term, exit and what happens to your footage at the end are set out in your agreement before you sign.
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Agencies and studios
Client work at campaign volume, evaluated against your clients' standards.
The page for every kind of work in this group, and how an evaluation works.
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VFX & post
Roto, clean-up, upscaling and de-noise, evaluated on a sequence you already delivered. Compare the output and total cost before you switch.
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Translation & localisation
Translation steps on right-sized models, tested on your own evals for each language pair. Compare quality, latency and total cost first.
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Send a campaign and its deliverables list. We agree the acceptance criteria with your creative leads, then compare the output, turnaround and total cost.
Arrange a workload evaluation