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On this pageThe workEvaluationProposal

Solutions/Agencies and studios/Fashion & lookbooks

Your lookbooks, judged on a collection you shot.

The on-model images, virtual try-ons and campaign visuals you already pay tools for, evaluated on a collection you shot. Your stylists judge garment fidelity.

Arrange a workload evaluationSee how an evaluation works

Prefer email? hello@azitalabs.com, subject “Workload evaluation: Fashion & lookbooks”

Every garment has to look like the garment.

A new collection means on-model images and virtual try-ons for a long list of SKUs, each true to fit, fabric and colour. Client MSAs carry content-security clauses that many tools fail, and consistency drifts across styling teams and seasons. A try-on that gets the garment wrong is worse than no image at all.

What you bring
A collection you already shot: garment flats, the approved on-model images and the styling notes.
What comes back
On-model images and try-on visuals for your stylists to compare with the approved shoot.

What an evaluation could look like.

An example workflow

A fashion agency

Every drop needs on-model images for each garment before launch. An evaluation could take one shot collection's flats, generate the on-model set, and let the creative director compare fit, fabric and the total cost with the current tools.

An example workflow

An apparel studio

Marketplace listings need each garment shown on several models and poses. An evaluation could take one delivered listing set, produce the variations, and compare fidelity and total cost.

An example workflow

A small styling team

Campaign visuals for clients sit under content-security clauses. An evaluation could run one finished campaign's visuals where the client contract allows, and set the stylists' review next to the total cost.

An agency review wall of pinned campaign boards receding into soft focus under a copper spotlight

One pipeline, judged against your clients' standards.

Judged by your stylists

The evaluation works on a collection you already shot, and your stylists decide whether fit, fabric and colour hold.

Garment fidelity first

Fit, fabric, drape and colour are checked against the garment flats and the approved shoot before any image counts as usable.

Quality and total cost, compared

On-model imagery and try-ons compared as one job, next to what your teams pay for generation today.

Where it runs, and what is agreed.

Capacity from the Azita fleet

Run your workload on capacity from Azita’s installations. Scope the workload and data requirements.

Discuss your workload on the fleet →

An installation in your building

Scope the room and workload together. Azita designs, installs and commissions the deployment.

Discuss an installation in your building →

Where the work runs, which models are used, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out custody and residency by side.

Compare quality and total cost on your own workload.

Agree a representative job and the acceptance criteria. Compare the output, turnaround, data requirements and total cost before deciding.

  1. Share a representative jobBring one collection you already shot, with its flats and approved images, and what the tools on that job cost today.
  2. Agree the acceptance criteriaYour stylists and creative directors set what passes: garment fidelity, the brand's look and the launch date.
  3. Compare, then decideOutput, turnaround, data requirements and total cost, side by side. Move at your own pace, or not at all.

Available to evaluate on your own workload.

On the Azita fleet, or on an installation in your building.

Arrange a workload evaluation

We'll review what you need to run and contact you to discuss the right setup.

Proposal based on your workload and deployment.

There is no price list. Your proposal states what is being quoted, the commitment and what is included. Human review, software licences and integration are listed wherever they apply.

Add what you pay for today. It travels with your enquiry as a note, so the comparison starts from the same work.

Opens the spend table on the pricing page. Your note travels with your enquiry, never in the page address.

Prefer to read first? How pricing works →

Straight answers.

Will the garments pass our creative directors?+

That is what the evaluation decides. Your stylists and creative directors review the on-model images and try-ons from one shot collection against the criteria they set. If the work does not pass, nothing moves.

How does an evaluation work?+

Bring one collection you already shot, with its flats and approved images, and what the tools on that job cost today. We agree the acceptance criteria and the turnaround, produce the on-model images and try-ons, and set out the output and total cost side by side.

What changes for our styling teams?+

Very little. Your stylists keep their notes and their approvals. Images come back for review before anything is published.

Our client MSAs have content-security clauses. Can you meet them?+

Where the work runs, who has access and how long anything is kept are agreed in your proposal, clause by clause, before any client work starts. For accounts that require it, the work can run on an installation in your own building. The Trust page sets out custody and residency by side.

How is it priced?+

Proposal based on your workload and deployment. It states what is being quoted, the commitment and what is included, and lists human review, software licences and integration wherever they apply. There is no price list.

What does the contract look like?+

Term, what is included, exit and data handling at the end are set out in your agreement before you sign.

Related

Agencies and studios

Client work at campaign volume, evaluated against your clients' standards.

The page for every kind of work in this group, and how an evaluation works.

Read →

Also for

E-commerce catalogues

Attribute extraction, product descriptions and photo clean-up, tested on listings you already published. Compare quality and total cost first.

Read →

Also for

Photography studio

Culling, retouching, background removal and colour grading, evaluated on a shoot you already delivered. Compare output and total cost first.

Read →

Start with your own workload.

Share one finished campaign

Send a campaign and its deliverables list. We agree the acceptance criteria with your creative leads, then compare the output, turnaround and total cost.

Arrange a workload evaluation

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