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On this pageThe workEvaluationProposal

Solutions/Creators/Photography studio

Your edits, judged on a shoot you delivered.

The culling, retouching, background removal and grading you already pay tools for, evaluated on a shoot you delivered. You judge the output and the total cost.

Arrange a workload evaluationSee how an evaluation works

Prefer email? hello@azitalabs.com, subject “Workload evaluation: Photography studio”

The shoot is over. The editing is not.

Culling picks the best frames, retouching finishes the portraits, background removal readies the product shots, and grading ties the set together. Each step sits in its own tool with its own limits, and a busy wedding or product season stretches all of them at once. Delivery dates slip while the edits queue.

What you bring
A shoot you already delivered: the raw files and the edited set the client approved.
What comes back
Culled selects, retouched portraits, cut-out product images and graded frames to compare with the delivered set.

What an evaluation could look like.

An example workflow

An e-commerce studio

It shoots products on white and removes backgrounds for marketplace listings. An evaluation could take one delivered product shoot, run the cut-outs and colour matching, and compare edge quality and total cost with the current credits.

An example workflow

A portrait photographer

Headshot days mean culling long sequences of frames and retouching the best to a consistent style. An evaluation could take one delivered headshot session, cull and retouch it, and let the photographer judge the selects and the total cost.

An example workflow

A boutique studio

Albums need consistent grading across a whole event. An evaluation could take one delivered album, grade the selects to the studio's look, and compare the result and the total cost with the tools used today.

A creator's pin wall of printed video frames held by copper pins in warm lamplight

Your look, judged by you.

Your style is the standard

The evaluation works on a shoot you already delivered, and you decide whether the edits are good enough to send.

Selects you would choose

Culled selects and retouches are compared with the set your client approved, so your eye stays the standard.

Quality and total cost, compared

Culling, retouching, cut-outs and grading compared as one job, next to the subscriptions and credits you pay for today.

Where it runs, and what is agreed.

Capacity from the Azita fleet

Run your workload on capacity from Azita’s installations. Scope the workload and data requirements.

Discuss your workload on the fleet →

An installation in your building

Scope the room and workload together. Azita designs, installs and commissions the deployment.

Discuss an installation in your building →

Where the work runs, which models are used, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out custody and residency by side.

Compare quality and total cost on your own workload.

Agree a representative job and the acceptance criteria. Compare the output, turnaround, data requirements and total cost before deciding.

  1. Share a representative jobBring one shoot you already delivered, with its raw files, and what the tools on that job cost today.
  2. Agree the acceptance criteriaYou set what passes: your retouching style, the client's approved set and your delivery schedule.
  3. Compare, then decideOutput, turnaround, data requirements and total cost, side by side. Move at your own pace, or not at all.

Available to evaluate on your own workload.

On the Azita fleet, or on an installation in your building.

Arrange a workload evaluation

We'll review what you need to run and contact you to discuss the right setup.

Proposal based on your workload and deployment.

There is no price list. Your proposal states what is being quoted, the commitment and what is included. Human review, software licences and integration are listed wherever they apply.

Add what you pay for today. It travels with your enquiry as a note, so the comparison starts from the same work.

Opens the spend table on the pricing page. Your note travels with your enquiry, never in the page address.

Prefer to read first? How pricing works →

Straight answers.

Will my photos look the same?+

That is what the evaluation decides. You compare the selects and edits from one delivered shoot against the set your client approved. If they do not pass, nothing changes.

How does an evaluation work?+

Bring one shoot you already delivered and what the tools on that job cost today. We agree the acceptance criteria and the turnaround, produce the selects, retouches and cut-outs, and set out the output and total cost side by side.

What changes in my workflow?+

Very little. You keep your camera, your catalogue and your style. Culling, retouching and cut-outs come from one pipeline instead of separate subscriptions.

Where do my raw files go?+

Where your raw files are processed, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out the detail by side.

How is this priced?+

Proposal based on your workload and deployment. It states what is being quoted, the commitment and what is included, and lists human review, software licences and integration wherever they apply. There is no price list.

Am I locked into a contract?+

Term, exit and what happens to your raw files at the end are set out in your agreement before you sign.

Related

Creators

Video, image, voice and writing work, evaluated on a project you already shipped.

The page for every kind of work in this group, and how an evaluation works.

Read →

Also for

Wedding films

Footage sorting, audio sync, drone clean-up and highlight cuts, evaluated on a wedding you already delivered. Compare output and total cost first.

Read →

Also for

Fashion & lookbooks

On-model images, virtual try-ons and campaign visuals, evaluated on a collection you already shot. Compare garment fidelity and total cost first.

Read →

Start with your own workload.

Share one finished project

Send a brief and the exports you approved for it. We agree what a good result looks like, then compare the output, turnaround and total cost with the tools you use today.

Arrange a workload evaluation

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