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On this pageThe workEvaluationProposal

Solutions/Creators/Music & music videos

Your releases, judged on a track you released.

The stem separation, mastering, visualisers and lyric videos you already pay tools for, evaluated on a track you released. You judge the output and the total cost.

Arrange a workload evaluationSee how an evaluation works

Prefer email? hello@azitalabs.com, subject “Workload evaluation: Music & music videos”

The track is done. The release is not.

Before release day you need separated stems, a master, a visualiser and a lyric video for social media, each from a different tool with its own plan. When a plan runs out the week before release, the visuals wait. The tools set your release schedule instead of the music.

What you bring
A released track: the stems or mix, the master and the visuals you put out.
What comes back
Separated stems, a master, a visualiser and a lyric video to compare with what you released.

What an evaluation could look like.

An example workflow

An independent producer

He separates stems from old sessions to remix and remaster them for release. An evaluation could take one released track, separate and master it, and let him compare the sound and the total cost with his current subscriptions.

An example workflow

A singer-songwriter

Every single needs a lyric video and a short visualiser for social media before release day. An evaluation could take one released single, produce both videos to her artwork, and compare the look and the total cost.

An example workflow

A boutique label

Releases from several artists need masters and visuals on one schedule. An evaluation could take one finished release, produce the master and visualiser, and set the label's judgement and the total cost next to the tools used today.

A creator's pin wall of printed video frames held by copper pins in warm lamplight

Your look, judged by you.

Your sound is the standard

The evaluation works on a track you already released, and you decide whether the master and the visuals are ready to put out.

Stems and master, by ear

You listen to the separated stems and the master next to your own release, and decide whether they are ready.

Quality and total cost, compared

Stems, mastering and visuals compared as one job, next to the subscriptions and top-ups you pay for today.

Where it runs, and what is agreed.

Capacity from the Azita fleet

Run your workload on capacity from Azita’s installations. Scope the workload and data requirements.

Discuss your workload on the fleet →

An installation in your building

Scope the room and workload together. Azita designs, installs and commissions the deployment.

Discuss an installation in your building →

Where the work runs, which models are used, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out custody and residency by side.

Compare quality and total cost on your own workload.

Agree a representative job and the acceptance criteria. Compare the output, turnaround, data requirements and total cost before deciding.

  1. Share a representative jobBring one track you already released, with its stems or mix, and what the tools on that job cost today.
  2. Agree the acceptance criteriaYou set what passes: your sound, your artwork and your release date.
  3. Compare, then decideOutput, turnaround, data requirements and total cost, side by side. Move at your own pace, or not at all.

Available to evaluate on your own workload.

On the Azita fleet, or on an installation in your building.

Arrange a workload evaluation

We'll review what you need to run and contact you to discuss the right setup.

Proposal based on your workload and deployment.

There is no price list. Your proposal states what is being quoted, the commitment and what is included. Human review, software licences and integration are listed wherever they apply.

Add what you pay for today. It travels with your enquiry as a note, so the comparison starts from the same work.

Opens the spend table on the pricing page. Your note travels with your enquiry, never in the page address.

Prefer to read first? How pricing works →

Straight answers.

Will my masters and videos sound and look the same?+

That is what the evaluation decides. You compare the master and the visuals for one released track against what you put out. If they do not pass, nothing changes.

How does an evaluation work?+

Bring one track you already released and what the tools on that job cost today. We agree the acceptance criteria and the turnaround, produce the stems, master and visuals, and set out the output and total cost side by side.

What changes in my release workflow?+

Very little. You keep your studio and your process. Stems, mastering and visuals come from one pipeline instead of separate subscriptions.

What happens to my unreleased music?+

Where your unreleased music is processed, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out the detail by side.

How is this priced without subscriptions?+

Proposal based on your workload and deployment. It states what is being quoted, the commitment and what is included, and lists human review, software licences and integration wherever they apply. There is no price list.

What are the terms if I want to leave?+

Term, exit and what happens to your unreleased music at the end are set out in your agreement before you sign.

Related

Creators

Video, image, voice and writing work, evaluated on a project you already shipped.

The page for every kind of work in this group, and how an evaluation works.

Read →

Also for

Wedding films

Footage sorting, audio sync, drone clean-up and highlight cuts, evaluated on a wedding you already delivered. Compare output and total cost first.

Read →

Also for

Gaming & streaming

Highlights, captions, thumbnails and overlays, evaluated on a stream you already clipped. Compare the output and total cost before you switch.

Read →

Start with your own workload.

Share one finished project

Send a brief and the exports you approved for it. We agree what a good result looks like, then compare the output, turnaround and total cost with the tools you use today.

Arrange a workload evaluation

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