The footage sorting, audio sync, grading and highlight reels you already pay tools for, evaluated on a wedding you delivered. You judge the output and the total cost.
Prefer email? hello@azitalabs.com, subject “Workload evaluation: Wedding films”
Every shaadi brings a mountain of raw footage from every camera and the drone. You use one app to sort the clips, another to sync the audio and a third to clean up the drone shots, while the couple waits for the same-day edit. In peak season the tools set the delivery schedule, not your editors.
An example workflow
It films destination weddings and cuts a teaser and a highlight reel from days of footage. An evaluation could take one delivered wedding, sort the selects and build a highlight cut, and let the lead editor compare the story and the total cost with the current apps.
An example workflow
Busy months leave little time between the ceremony and the same-day edit. An evaluation could take one past same-day edit, run the sorting and audio sync, and compare turnaround and total cost with the tools used today.
An example workflow
Several crews shoot the same wedding, so the footage needs sorting, syncing and grading to one look. An evaluation could take one delivered wedding, grade the selects to the studio's look, and set the colourist's judgement next to the total cost.
The evaluation works on a wedding you already delivered, and your editors decide whether the cut is good enough to hand over.
Selects and the highlight cut are compared with the film the couple approved, so the moments that matter to them are the test.
Sorting, sync, clean-up and grading compared as one job, next to the separate apps and top-ups you pay for today.
Run your workload on capacity from Azita’s installations. Scope the workload and data requirements.
Discuss your workload on the fleetScope the room and workload together. Azita designs, installs and commissions the deployment.
Discuss an installation in your buildingWhere the work runs, which models are used, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out custody and residency by side.
Agree a representative job and the acceptance criteria. Compare the output, turnaround, data requirements and total cost before deciding.
Available to evaluate on your own workload.
On the Azita fleet, or on an installation in your building.
We'll review what you need to run and contact you to discuss the right setup.
There is no price list. Your proposal states what is being quoted, the commitment and what is included. Human review, software licences and integration are listed wherever they apply.
Add what you pay for today. It travels with your enquiry as a note, so the comparison starts from the same work.
Prefer to read first? How pricing works
That is what the evaluation decides. Your editors compare the selects and highlight cut from one delivered wedding against the film the couple approved. If they do not pass, nothing changes.
Bring one wedding you already delivered and what the tools on that job cost today. We agree the acceptance criteria and the turnaround, produce the selects, synced audio and highlight cut, and set out the output and total cost side by side.
Very little. Your editors keep their timeline and their style. Sorting, sync and clean-up come from one pipeline instead of separate apps.
Where your couples' footage is processed, who has access and how long anything is kept are agreed in your proposal before any work starts. The Trust page sets out the detail by side.
Your proposal sets out what is quoted, the commitment and what is included, based on your own season, before you decide. There is no price list.
There is no price list. Add your current apps to the spend table on the pricing page, and your proposal is based on your workload and deployment.
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Send a brief and the exports you approved for it. We agree what a good result looks like, then compare the output, turnaround and total cost with the tools you use today.
Arrange a workload evaluation